Music in Global America | Syllabus | Brooklyn College | Spring 2020
“This course will focus on the transnational nature of American vernacular music. We will explore the diaspora of folk and popular music […]
“This course will focus on the transnational nature of American vernacular music. We will explore the diaspora of folk and popular music […]
“This course serves as an introduction to the study of music from an ethnomusicological perspective and as a survey of several music […]
Prompt for a written concert report (500 words) of a live or recorded performance of world music. Instructor: Lynne Stillings Course: The […]
Final project in which students create and annotate a playlist of twenty songs, either representing at least two migrant groups studied in […]
Assignment sheets for the three hearings (essentially sight singing exams) assigned over the course of the semester. Class was taught online and […]
Syllabus for the first in-person edition of Music Theory Fundamentals taught at Hunter College since the first pandemic lockdown in Spring 2020. […]
Syllabus for the dictation section of Sight Singing & Dictation 1. This class was taught virtually and synchronously. Instructor: Stephen Gomez Course: […]
Lessons plans for the entirety of Days #4–7, which introduce concepts and skills related to notating and hearing rhythm and meter in […]
Two assignments geared towards establishing and practicing the basics of keys and key signatures using staff music notation in the tradition of […]
Two assignments geared at practice concepts and skills related to scales. First and second assignment are about major and minor scales, respectively. […]
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